Portuguese activity, aimed at students in the 1st year of high school, proposes the study of agreementverbal, through the text that tells us about a documentary that cuts a globalized Sertão, directed by Sérgio Oliveira.
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SCHOOL: DATE:
PROF: CLASS:
NAME:
Read:
Documentary by Sérgio Oliveira cuts a globalized Sertão
Director Sérgio Oliveira and screenwriter Renata Pinheiro, partners in several recent works such as the highly praised feature film “Amor, Plástico e Barulho” (2013) and the award-winning short films “Superbarroco” (2008) and “Praça Walt Disney” (2011), make the world premiere of the documentary “Super Orquestra Arcoverdese de Ritmos Americanos” in the competitive show Première Brasil, at the Rio 2016 Festival, in October.
The film, which only enters the commercial circuit in the country in 2017, follows the experimental line of the duo from Pernambuco and demystifies the idea of a pure Sertão, placing it globally through the record, in a fabular tone, of contemporary culture led by the 50-year-old ball orchestra Super Oara, from Arcoverde (PE), in contrast to the so-called “progress” in the region Northeast.
In the documentary, two children play an 8-bit sound minigame, while a building contractor's backhoes work on a major work. In Arcoverde, a city 250km from Recife, the intersection of electronic noise with the noise of machines announces a new Sertão, driven by the promise of progress in modernity. However, the country's globalization was already a cultural reality for at least half a century.
It is from the musical motto that the unprecedented documentary “Super Orquestra Arcoverdese de Ritmos Americans” (PE, 79 min, 2016) reflects other questions about the current moment in Brazil, in particular the North East. Recognized for the experimental verve of their films, Sergio Oliveira and Renata Pinheiro repeat the partnership this time, proposing an even bolder and more challenging aesthetic cut around this aspect.
Competitor of the competitive show Premiére Brasil, at the Festival do Rio 2016, from October 6th to 16th, in Rio de Janeiro, the film Pernambuco draws, as a starting point, the incredible history of the Super Oara Orchestra, founded in 1958 by musician Egerton Verçosa, more known as the maestro Beto – a ball orchestra that has always dedicated itself to the international repertoire, especially Americanized and romantic songs. During the filming at the location, the raw material ended up revealing a broader context.
[…]
Available in: http://www.cafecomfilme.com.br/noticias. Accessed on: 18/09/16.
Question 1 - Identify the purpose of the text:
a) establish a parallel between the “pure Sertão” and the “new Sertão”.
b) publicize the premiere of a documentary about the Sertão at “Festival do Rio – 2016”.
c) criticize the delay in modernization in the Northeast region.
d) highlight the work of the northeastern duo: director Sérgio Oliveira and screenwriter Renata Pinheiro.
Question 2 - Register opinion in the segment:
a) "The film, which only enters the commercial circuit in the country in 2017, follows the experimental line [...]"
b) “[…] while a contractor's backhoes work on a large project.”
c) “[…] the country's globalization was already a cultural reality for at least half a century.”
d) “[…] proposing an even bolder and more challenging aesthetic cut around this aspect.”
Question 3 - Check the alternative where the verbal agreement was incorrectly done:
a) "The film, which only enters the commercial circuit in the country in 2017, follows the experimental line [...]"
b) “In the documentary, two children play an 8-bit sound minigame […]”
c) “[…] the intersection of electronic noise with the noise of machines announces a new […]”
d) “[…] a ball orchestra that has always dedicated itself to the international repertoire […]”
Rewrite the alternative according to the cultured norm:
Question 4 – In the excerpt “[…] putting itO in the global through the registration […]", the underlined pronoun replaces:
a) Rio 2016 Festival
b) the movie
c) a pure sertão
d) the progress
Question 5 - In “[…] do debut world documentary […]”, the highlighted word is no longer accentuated as well as the word:
a) heroic
b) bless
c) ugliness
d) pole
Now identify the rule:
By Denyse Lage Fonseca – Graduated in Languages and specialist in distance education.
At answers are in the link above the header.
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